uncanny double
uncanny double

4 color risograph print on 80lbs drawing paper

11 x 17in

May 2019

buzz
buzz
What is Forgotten is Not
What is Forgotten is Not

2019

Mixed Media and Digital


My spread for the Parsons Illustration Senior Journal 2019, interpreting the word “Forgotten” through readings on the role of the Unconscious and repression in psychoanalysis, the method of loci, and In the Dark Room by Brian Dillon.

Being in the intimacy of the empty house’s cavities, surrounded with the contents of its negative space, begins the process of shifting the contents of the system Unconscious into the system Conscious. What we experience of the home is the gaps, not its structure but the inundations that situate our bodies and hold memory. 
The method of loci situates our memories the way the cavities of the home situate our bodies. 

NishatBotero_Hannah_LandHorses:Land of a Thousand Dances:La Mer (De).jpg
Por Que?
Por Que?

Photolithography print, 2017

12x12in

The Cavities Become a Trace
The Cavities Become a Trace

Digital Illustration

2019

Cover Proposal for Parsons Illustration Senior Journal 2019

nishatbotero_hannah_18_i always found something_lr.jpg
NishatBotero_Hannah_king krule.jpg
Screen Shot 2019-05-21 at 9.39.43 AM.png
The TV Screen is a Canvas, too
The TV Screen is a Canvas, too

My work for the second edition of @daftar.asfar, curated by @halozine . The piece follows an instruction left for me by the previous artist of this traveling digital sketchbook: ‘Draw a childhood memory using shades of red and gold.’

Screen Shot 2019-05-14 at 8.05.59 AM.png
Me Lo Dijo un Pajarito
Me Lo Dijo un Pajarito

2019

11in x 11in

3 color Risograph on Bristol

For a collaborative traveling exhibition with Parsons, Pratt, and HAW-Hamburg, interpreting the word “secrets”.

santi.jpg
te miro.jpg
Ligereza
Ligereza

2018

Gouache and Watercolor on Paper

sol.jpg
violeta.jpg
nishatbotero_hannah_12_is that how people feel about god?_lr.jpg
nishatbotero_hannah_26_Anger Seeped In_lr.gif
nishatbotero_hannah_07_repulsed by my silhouette_lr.jpg
nishatbotero_hannah_17_panicking in my half-asleep state_lr.jpg
nishatbotero_hannah_19_the itching and flooding_lr.jpg
nishatbotero_hannah_27_A Heavy Lightness_lr.gif
nishatbotero_hannah_14_ants everywhere (ii)_lr.jpg
nishatbotero_hannah_10_death of light_lr.jpg
nishatbotero_hannah_09_everything had slowed_lr.jpg
nishatbotero_hannah_08_made of stars_lr.jpg
nishatbotero_hannah_01_sometimes i still lose light_lr.jpg
nishatbotero_hannah_28_Todavia Veo_lr.gif
nishatbotero_hannah_24_Sundial_lr.gif
en casa (1 of 1).jpg
uncanny double
buzz
What is Forgotten is Not
NishatBotero_Hannah_LandHorses:Land of a Thousand Dances:La Mer (De).jpg
Por Que?
The Cavities Become a Trace
nishatbotero_hannah_18_i always found something_lr.jpg
NishatBotero_Hannah_king krule.jpg
Screen Shot 2019-05-21 at 9.39.43 AM.png
The TV Screen is a Canvas, too
Screen Shot 2019-05-14 at 8.05.59 AM.png
Me Lo Dijo un Pajarito
santi.jpg
te miro.jpg
Ligereza
sol.jpg
violeta.jpg
nishatbotero_hannah_12_is that how people feel about god?_lr.jpg
nishatbotero_hannah_26_Anger Seeped In_lr.gif
nishatbotero_hannah_07_repulsed by my silhouette_lr.jpg
nishatbotero_hannah_17_panicking in my half-asleep state_lr.jpg
nishatbotero_hannah_19_the itching and flooding_lr.jpg
nishatbotero_hannah_27_A Heavy Lightness_lr.gif
nishatbotero_hannah_14_ants everywhere (ii)_lr.jpg
nishatbotero_hannah_10_death of light_lr.jpg
nishatbotero_hannah_09_everything had slowed_lr.jpg
nishatbotero_hannah_08_made of stars_lr.jpg
nishatbotero_hannah_01_sometimes i still lose light_lr.jpg
nishatbotero_hannah_28_Todavia Veo_lr.gif
nishatbotero_hannah_24_Sundial_lr.gif
en casa (1 of 1).jpg
uncanny double

4 color risograph print on 80lbs drawing paper

11 x 17in

May 2019

buzz
What is Forgotten is Not

2019

Mixed Media and Digital


My spread for the Parsons Illustration Senior Journal 2019, interpreting the word “Forgotten” through readings on the role of the Unconscious and repression in psychoanalysis, the method of loci, and In the Dark Room by Brian Dillon.

Being in the intimacy of the empty house’s cavities, surrounded with the contents of its negative space, begins the process of shifting the contents of the system Unconscious into the system Conscious. What we experience of the home is the gaps, not its structure but the inundations that situate our bodies and hold memory. 
The method of loci situates our memories the way the cavities of the home situate our bodies. 

Por Que?

Photolithography print, 2017

12x12in

The Cavities Become a Trace

Digital Illustration

2019

Cover Proposal for Parsons Illustration Senior Journal 2019

The TV Screen is a Canvas, too

My work for the second edition of @daftar.asfar, curated by @halozine . The piece follows an instruction left for me by the previous artist of this traveling digital sketchbook: ‘Draw a childhood memory using shades of red and gold.’

Me Lo Dijo un Pajarito

2019

11in x 11in

3 color Risograph on Bristol

For a collaborative traveling exhibition with Parsons, Pratt, and HAW-Hamburg, interpreting the word “secrets”.

Ligereza

2018

Gouache and Watercolor on Paper

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